Page 14 - RD_0314

References:
Beyer, F., Koshofer, G., Krüger, M. (2010). Ufa in Farbe: Technik, Politik und
Starkult 1936–1945. Collection Rolf Heyne: Munich. [Profusely illustrated coffee-
table book on Ufa’s colour feature films.]
Flückiger, B. (2013). Timeline of historical film colours.
http://zauberklang.ch/filmcolors [Very detailled reference on all colour film
processes ever invented since 1861, including many illustrations.]
Ivester, P. (2009). Guide to identifying colour movie film stocks.
http://www.paulivester.com/films/
filmstock/guide.htm [Introduction to colour film stocks for the collector.]
Koshofer, G. (1999). Die Agfacolor Story. In: Weltwunder der Kinematographie 5: 7–
106. [The main reference work on Agfacolor, detailing the invention, production,
and the films shot in the process.]
Talbert, M. (2013). Early Agfa colour materials. In: Fisher, M., Photographic
memorabilia. http://www.
photomemorabilia.co.uk/Colour_Darkroom/Early_Agfa.html [Detailed history of
Agfa colour motion picture film, still films and printing papers.]

Book cover of Koshofer (1999) showing a frame of
Münchhausen (1943) with Hans Albers on the canon ball.
This is an Orwo print (brown soundtrack, S) from the original
Agfacolor negative (white printing on black background).

Modern 35mm Agfa
print of The prince
of tides (1991) with
Barbara Streisand and
Nick Nolte, showing the
blue soundtrack.

Titles from a 35mm
Orwocolor print of a
Russian documentary
about lions (year
unknown).

Scene from the first
Agfacolor feature film
Frauen sind doch
bessere Diplomaten
(1941; Women are
better diplomats)
with Marika Rökk.

Reel Deals - 14 - March 2014