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THE 8.75mm GAUGE -
                         A CHINESE MYSTERY



                                     By Alan Lott

        Originally  published  in  the  winter  1998  industry compiled by Donald D. Kennedy, a
        edition  of  Amateur  Cine  Enthusiast  (UK)  member of the Australian film industry during
        magazine,  this  article  is  reprinted  with  the  his visits to China in 1973 and 1974.
        kind permission of both ACE magazine and the
        family of the late Alan Lott.       The greater part of his detailed account deals
                                            with the professional side of the Chinese film
        With the resurgence of interest in filming and  industry  and  its  methods  of  production  of
        screening on film, this interesting article, now  feature  length  films.  By  this  is  meant  films
        somewhat  dated,  is  reprinted  here.  It  is  with a running time of between 1 1/2 and 3
        interesting to compare the Chinese approach  hours.  All  the  films  can  be  classified  as
        and their more economical use of the original  "educational"; at the time of Kennedy's visits
        35mm film to that of Kodak with their Super-8  films were not made for entertainment. Details
        format.                             are given of how film crews were organised;
                                            clearly on a different basis to Western practice.
        T   he  world  of  cine  can  be  relied  upon  to  At that time China had started the manufacture
            produce the unexpected from time to time
        and the discovery of the wide spread use of a  of  its  own  colour  film  raw  stock  distributed
        film  gauge  of  8.75  mm  in  The  People's  under the name of Dai Dai Hung. All shooting
        Republic of China in the 1970s and probably  at  major  studios  was  done  on  35mm,  and
        in later years is one of those surprises.  35mm was used for reduction printing on to
                                            16mm  and  8.75mm.  Print  runs  of  between
        Ref.  1,  is  a  fairly  complete  and  interesting  3,000 and 6,000 copies were not unusual. The
        account  of  the  Chinese  professional  film  use  of  8.75mm  was  (is?)  probably  the  only
                                               non-western standard used in China. The
                                               great majority of films in China had to be
                                               shown to all the workers and even those in
                                               remote areas had to see a film at the same
                                               time  as  those  in  major  cities.  The  use  of
                                               narrow gauge film for the large number of
                                               small  widespread  communities  amongst
                                               China's  large  population  spread  over  an
                                               immense area was the sensible economic
                                               choice.
                                               Left:  The Chinese 8.75 mm projector

                                               Images: 8mm Forum webpage


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