Page 15 - pm_1953-12
P. 15

THE  CROSL YNN  CINE  SOCIETY.
           If you  are  interested  in  cinematography,  and  still  at school,  why  not  join  the
         "Croslyn  Cine  Society?  Members  all  over  the  country :  Apply  E.  J.  Banks,
         Royal  Wolverhampton  School,  Wolverhampton,  Staffs.,  Membership  Fee  2/-.
        HACKNEY  CINE  CLUB.
           Much  work  has  been  going  on  re  clubs  production  "Hord<tys  with  Pain",  al-
         though  the  bad  weather  has  proved  a  slight  problem.  All  interested  are  wel-
         come  to  come  along  and  watch  the  fun,  or· join  this  happy  cine  club,  which  still
         has  an  open  membership list.  Enquiries should  be addressed  to :-
               Mr.  R.  Goodman,  P.R.O., Vernon  Hall,  23  Hackney  Grove,  Hackney,  E.8.
            Be sure of gour  shots with  VF Film

          It  was  not  an  uncommon  thing,  in  pre-war  days,  that amateur  cinematographers  placed  their
         cameras  in  safe  storage  for  the  winter  season  and  concentrated  purely  on  the  projection  side
         of  their  hobby.  Even  today  many  camera  owners  still  resort  to  this  practise,  in  the  erroneous
         belief  that  the  weather  at  this  time  of  the  year  precludes  the  use  of  their  cine  camera.
         Generally  speaking,  the  grey  overcast  skies  of  the  winter  season  do  not  permit  of  successful
         filming  with  SS  stock,  at  least  not  with  lenses  rated  at  f2.5  and  under.  Fortunately,  amateur
         cinematographers  are  much  better  assisted  now  with  their  requirements  than  in  past  years,
         and  with  the  very  successful  introduction  of  Pathescope  VF  stock,  cine  filming  is  now  an  all-
         yea r-rou nd-possibil ity.
          VF  film  is  rated  considerably  faster  than  the  normal  SS  panchromatic,  which  allows  filming
         to  be  undertaken  in  conditions  completely  unsuitable  for  this  latter  named  stock.
          This  very  fast  anti-halo  film  is  specially  made  for  artificial  {Tungsten)  light  with  a  speed  of
         30°  Sch.  {29°  BSil  and  with  automatic  balanced  processing  is  most  suitable  for  indoor  filming.
         Should  outside  lighting  conditions  be  so  bad  as  to  necessitate  the  use  of  VF  film  in  daylight
         the  relative  exposure  index  numbers  will  be  32 °  Sch.  {31 °  BSI).
          Close-ups  are  readily  obtainable  with  ordinary  IOOw.  house  lighting  lamps  provided  three
         such  lamps  are  used  in  conjunction  with  an  fl.9  lens.  Simple  arrangements of  lighting,  subject,
         etc.  are  given  below.  Of  special  interest  to  PAT  owners  is  the  news  that  by  using  the  larger
         of  the  2  apertur.es  provided  on  the  standard  model,  in  conjunction  with  three  photo-flood  lamps
         indoor  filming  may  be  underta ke n with  every  confidence.
                  PORTRAIT  HEAD                    PORTRAIT  HEAD
                        ....,.   subject            j     T      subject
                    •••                       White screen   •

                                              Reflector
                3 x IOOw.  House  lamps           One Photo flood  lamp
                  2 feet from  subject           2  Feet from  subject  F.2.5
                    Exposure  F1.9               3                 Fl.9
            HALF-LENGTH  PORTRAIT  AND         SCENES  AND  FULL-LENGTH
                  SMALL  GROUPS               SHOTS              subject

                        T       subject               •       •  Lamps
            Lamps  •         •
                                                  3 or more ph~ floods
                  2 Photo flood  lamps           3  feet  from  subject  F2.5
                2 feet from  subject  F3.5       4                 F19
           When  bigger  scenes  are  filmed  use  more  photo  flood  lamps  and  place  them  as  near  as
         possible to  the  subject.
           The  details  above  are  given  for  guidance  as  to  distance,  but  in  practice  arrange  the  lamps
         to  avoid  harsh  shadow  on  the  subjects  and  where  possible  use  a  light  background,  patterned
         if  possible.
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