Page 19 - Cinerama_booklet
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actual  combat, with  an  electronic  ''beep" sounding  in  his  head-

                  set whenever  he  scored  a  direct  hit.  By  the  time the  war ended
                  the  Waller  Trainer  hod  become  one  of  the  standard  training
                  devices of both Army and  Navy air forces.

                      With  a  new  ally  in  the  person  of Hazard  Reeves,  a  brilliant
                  electronic engineer who developed the stereophonic sound system
                  that  Cinerama  employs,  Woller  moved  his  quarters  from  the
                  Rockefeller carriage house to a  huge indoor tennis court in  Oyster

                  Boy,  Long  Island,  where  he  began  the  critical  task  of  perfecting
                  his  process for  public exhibition. The  number of lenses  (and  pro-
                  jectors)  was  reduced  to  three,  covering  a  field  146°  by 55°, or

                  about  80  per  cent . the  full  range  of  human  vision,  and  a  new
                  screen, cylindrical rather than spherical in  section, was developed.
                      Meanwhile Woller was busy making test sequences in  the new

                  medium and showing them to his  friends to test public reaction to
                  the  process. One of his  early shots was the  roller-coaster  ride  at
                   Rockowoys' Ployland which, remade in  color, provides the breath-

                  taking  opening  sequence  of  "This  Is  Cinerama."  Another,  de-
                  signed  to dramatize the  high-fidelity  realism  of  Hazard  Reeves;
                   sound  system,  was  a  performance  of  the  Long  Island  Choral
                  Society singing  Handel's "Messiah."  It  is  retained,  just  as it  was

                   photographed, in  "This Is  Cinerama," and at every performance
                   of the picture some members of the audience still instinctively turn

                   around in  their seats when the voices of the choir are heard in  the
                   rear  of  the  auditorium,  before  they  make  their  way  down  the
                   aisles and their appearance on the screen.
                       Many  distinguished  visitors,  including  the  heads  of virtually

                   every major  motion  picture  company,  mode  the  pilgrimage  out
                   to  Oyster  Boy  to  see  "Woller's  wonder"  during  this  time  and,
                   although they were unanimous in their praise, no one offered any

                   help  in  bringing  it  to  the  public.  Then  one  day  Lowell  Thomas
                   dropped in  to see his  old friend  Hazard  Reeves and was invited
                   out to  look  at Cinerama.  One  glance  told  him  that,  in  his  own
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