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er than those I was used to from the Holly-  Ricketts  found  ‘an  Aladdin’s  cave’  totally
         wood westerns I had watched on TV.  packed with 16 mm and 35 mm film. With
         Raffaele Caputo, Melbourne          the  assistance  of  another  collector,  John
                                             Leckey OAM, Ricketts was able to move the
         I was nearly two when my family emigrated  films from their flooded basement into long-
         from  Venice  to  Canberra  in  1961…  I  feel  term  storage  at  Moe,  Victoria.  There  they
         nostalgic when I recall going to rare screen-  stayed in clean, dry conditions for 30 years
         ings  of  Italian  films  at  Queanbeyan  in  the  before  Peter  contacted  the  NFSA  and  the
         1970s as a teenager, watching black-and-white  films came to us in 2012.
         Totò (Antonio De Curtis) films, not getting the
                                             When the films arrived at the NFSA in their
         humour that made my parents laugh (yet un-  metal  shipping  containers,  cardboard  boxes
         derstanding  every  word),  and  having  strong  and stray cans it was clear that there would be
         emotional experiences and feelings of connec-
                                             much research needed to identify and assem-
         tion to my Italian background. That contribut-  ble complete prints. The process of sorting,
         ed to me maintaining my first language and  selection  and  technical  assessment  finally
         cultural  identity,  and  today  I  can  say  I’m  a
                                             took several years.
         very proud Italo-Australian!
         Rita Parkinson, Canberra            There  were  occasional  disappointments
                                                                along the way. We
                                                                might find a won-
                                                                derful  title  like
                                                                Lucio   Fulci’s
                                                                comedy   sketch
                                                                film  I  Maniaci
                                                                (1964) only to dis-
                                                                cover severe water
                                                                damage,  incom-
                                                                plete reels, mould
                                                                or that the film ti-
                                                                tle  written  on  the
                                                                can  was  not  the
                                                                film actually in the
                                                                can.
                                                                Ultimately   we
                                                                managed  to  save
                                                                49  films  in  total,
         Peter Ricketts with the films during their time in  14 of them trailers. This weekend, a selection
         storage at Moe
                                             of these rescued Italian prints will screen at
         Hundreds  of  those  European  films  imported  Arc cinema.
         by  World  Film  Distributors  were  first  saved  The NFSA screened a short season of these
         from  destruction  by  Eric  Yeomans  in  the
                                             films on 8-10 April.
         1970s.  Yeomans,  a  former  projectionist  and
         founding  member  of  radio  3CR,  discovered
         them  when  the  North  Melbourne  building
         which  had  housed  World  Film  Distributors  Reproduced from the NFSA blog at …
         was sold. The films were stored in the base-
         ment and Yeomans was able to interest Peter  http://www.nfsa.gov.au/blog/2016/04/05/itali
         Ricketts,  a  fellow  projectionist,  in  taking  a  an-film/
         look.

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