Page 7 - 2015-06
P. 7

The  Product  Development  function  task of digitising the Archive’s film
        and the Online Shop are to be termi-  and sound holdings.
        nated.  Mr  Loebenstein  noted  that
        the  Film  Australia  material  niche  Broadly, as I see it, the ball is now
        sales  to  the  education  market  will  at  the  feet  of  the  various  screen
        continue.  There  was  no  statement  organisations  which  say  that  Aus-
        on the future of the Lending Collec-  tralian  films  matter.  The  online
        tion,  though  something  may  have  streaming  service  Ozflix.tv  may
        been given to the meeting on 28-29  come into operation just in time for
        May of the Australian Council of Film  future  home  and  schools  use  of
        Societies.                          Australian  films.  Meanwhile,  keep
                                            an  eye  on  shop.nfsa.gov.au  and,
        On  the  positive  side,  the  newly  registered  borrowers,  boost  the
        formed Engagement branch has re-    stats  with  some  fresh  borrowings
        instated  a  regular  screening  pro-  from the library that is still open to
        gram at The Arc. Sunday afternoons  you.
        will have the ‘reel’ projectors rolling
        with  celluloid  drawn  from  the  Ar-  David Donaldson
        chive’s very large collections of film,                   08 8267 5069 Adelaide
        which  do  include  much  material
        never explored or presented previ-  For  more  information,  check  the
        ously.  Australian  film  will  be  pre-  NFSA web site at …
        sented all through a variety of Arc
        programs. In the future, ten people         www.nfsa.gov.au
        are  to  be  added  for  the  enormous



                                     Film Fiasco

        In  the  1970s  I  used  to  put  on  monthly  film  shows  for  the  University  of
        Adelaide’s  Post  Graduate  Student  Association.    One  of  the  films  screened
        was Don Camillo.  An Italian post-grad invited some of his Italian friends to
        see it.

        When I next saw him he was furious and began abusing me.  As he was prone
        to anger, even violence,  once being instantly dismissed from a Catholic boys
        school for flattening a student across a desk. I was very wary.

        The copy of Don Camillo was subtitled in English for my audience, but as it
        turned  out,  unbeknown  to  me  or  the  hirer,  the  dialogue  had  been  over
        dubbed in French.

        I may have been lucky to have been subjected to verbal abuse only!
        Peter Adamson



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