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"No, it was not Errol Flynn"


                      Putting J.P. McGowan on stage in Adelaide




          Not to be left behind in the rage for musicalising or mangling classic films,
          John J. McGowan and David Donaldson gave themselves to the world on stage
          as McGowan's Mob in The Adelaide Fringe 2018 to play the story of Hollywood's
          first Australian. Pianist Richie Gun joined up -- and the audiences cheered the
          professor.  Two  performances  were  near  as  matters  to  full,  expenses  were
          covered, The Adelaide Review went ecstatic, some people even bought the
          biography.
          Two clips from                  , three clips from 1930s westerns, a dozen
          colorful glass slides, various photos from the book were all brought into an
          interactive  digital  program  by  Wayne  Bertram.  The  opening  was  a  superb
          portrait of McGowan, probably from his Signal producer days, of which the
          original  print  has  now  been  lodged  with  National  Film  and  Sound  Archive.
          Ursula McGowan was everywhere keeping tabs and pressing the right keys.

               Below: Helen Holmes starred alongside J.P. McGowan  The  climax  was  the  first
                                                        presentation since it was
                                                        on  screen  in  Adelaide  in
                                                        September  1914  of  The
                                                        Conductor's Courtship.
                                                        Whereas every known ap-
                                                        pearance  by  McGowan
                                                        has been in dour roles like
                                                        villain  or  sheriff  or  over-
                                                        oiled  stoker,  here  was  a
                                                        romantic rail comedy with
                                                        the  two  playing  out  like
                                                        what  was  a  real-life  ro-
                                                        mance. J.P.'s direction is
                                                        skilful and strikingly mod-
                                                        ern for its time.  The audi-
                                                        ence  loved  Helen,  and
                                                        why not…



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