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for a flicker blade normally used on a segment
        shutter  and  allows  more  light  to  reach  the
        screen. The projection lens, condenser assem-
        bly and sound optic are without a maker's name,
        but I'm sure they were made by Waterworth in
        Hobart  … they have that certain look. The sound
        system exciter lamp is a 10 volt 7.5 amp type
        with a SBSC base. That was the standard excit-
        er for 35mm machines in those days and should
        last  forever  in  a  16mm  machine  that  would
        normally have a lighter workload (less screen-
        ing time) than its 35mm big brother.

        The  accompanying  captions  and  illustrations
        will provide more details of the Harmour and
        Heath's feature. A beautifully engineered pro-
        jector  of  simple  design  that  reflects  the  high
        standard of professional motion picture equip-
        ment made in Australia from the 1920s onward.

        Harmour and Heath also designed and built the
        unique  35mm  "flop  over"  Camera  used  by  Above: Fitted with a 1000 watt 115 volt globe, the
        George  Heath  to  film  "The  Rats  of  Tobruk"  spacious  interior  of  the  lamphouse  would  allow
        (1944).                             easy conversion to the more modem ELC 24 volt
                                            250 watt lamp if desired.

        Sadly it appears that very little has been recorded of the history and achievements of the many
        small engineering companies that pioneered and established motion picture equipment manufac-
        tured in Australia.

        I’m not a researcher, but for somebody with those skills, I'm sure a wonderful story awaits, a story
        that should be told but alas, I think it may already be too late, as most of the actors have left the
        stage.
         Below:    Simplicity  is  the  keynote  of  the  Harmour  and  Heath  as
         indicated by the take up assembly and spool arms.
                                                        Finally  a  prediction:  As  the
                                                        electronic age and digital im-
                                                        aging roars ahead at a frighten-
                                                        ing pace into the 21st century,
                                                        the mechanical artefacts of its
                                                        beginnings  a  hundred  years
                                                        earlier will grow immensely in
                                                        value.  Beautifully  restored
                                                        working  examples  of  these
                                                        quaint  but  fascinating  pieces
                                                        of  moving  picture  apparatus
                                                        will  grace  great  exhibitions
                                                        (under  tight   security   of
                                                        course).


        8  REEL DEALS  September 2019
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