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This meant that a ton of gear had to be
        transported  to  Brisbane  including  two
        16mm  Projectors;  the  big  Slide
        Projector;  the  complete  1911  35mm
        Powers  Cinema  Projector;  a  10  ft
        Screen; three large display banners; and
        of course the Time Machines - several
        rare vintage Cameras etc etc. The entire
        film program came from my collection,
        including   "Poul   Poulsen   Master
        Photographer”   Brisbane   and   its
        Environs  (1925);  "The  Queensland
        Centenary   Story   (1959)";   and
        Brisbane's first films shot by Fred Wills
        in 1899, etc |

        The organisers were expecting perhaps
        200 people - if we were lucky! "Oh yes,
        and Queensland's new Governor will be
        coming too" This statement racked up
        the stress factor a couple more notches.
                                             The Lumière Cinématographe
        Two good radio interviews (by phone)
        and a leaflet drop ensured that the show was booked out by Wednesday 20th - 250 seats
        sold, wow!
        On the evening it WAS standing room only, and we turned away at least another 250
        people

        The audience response? TREMENDOUS - we blew them away with a presentation of
        history, unbelievable.  I spent half an hour signing programs at the end of the show.
        Finally, the organisers asked would I be prepared to do the show again in a month's time
        - at a larger venue.

        I will have to think hard about that one and the fee!


        The Aftermath:
        For me this event was the catalyst for numerous presentations at Brisbane City Council
        venues, the Queensland Museum, the State Library and at the BCC’s City Hall Gallery
        in  the  spectacular  “Admit  One”  Exhibition.  Proving  without  doubt  the  impact  of
        dynamic “History Alive” presentations. “History – Boooorrring!!!”— No Way!!!

        Kev Franzi.                 ©2024.


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