Page 21 - RD_March_2013.pdf
P. 21

KODACOLOR
        This is actually black and white film, which produces a color image when projected through a
        three band color filter placed in front of the lens. The film base is embossed with vertical cylindrical
        lenses across the width of the frame. The process had been know for quite some time, but it was
                                              2
        in 1928, that Kodak utilised it under their Kodacolor  brand.
                                      Left: Kodacolor
                                      lenticular color
                                      film & right,
                                      enlarged
                                      section showing
                                      the vertical
                                      embossed
                                      'lenses'  Below:
                                      Close up of the
                                      three color filter










        The same three band color filter is placed in front of the camera lens in the shooting mode. The
        lens breaks the image into narrow vertical strips representing the red, blue and green content of
        the image. The result is recorded onto the emulsion which is on the opposite side of the film to
        the lenticular lenses. The same three color filter is used for projection and the result is color movies.
        It all sound good, but there were limitations. The camera lens had to be set to a fixed focal length
        and full aperture, on bright bays, a neutral density filter (or filters) had to be use to control the
        exposure. The projector had to be at the specified distance from the screen. Only a couple of
        Kodak model cameras and projectors were suitable for this process.
                                              Kodacolor was only ever used for home
                                              movies, no commercial releases were
                                              produced. Kodacolor films do occasionally
                                              turn up in collections of home movies, and
                                              are often mistaken for regular black and
                                              white films. Another point with Kodacolor
                                              films is that many were under exposed and
                                              are therefore very dark and do not show the
                                              effectiveness of the process very well. Many
                                              users failed to understand the need to only
                                              shoot in bright sunlight, as the end result of
                                              the low sensitivity film  and the color filter
                                              made use in full  sunlight mandatory.  As
                                              there is no actual color involved, color
        Above: The Kodacolor adaptor kit. comprising  rendition remains the same as it was 80 odd
        three band color filter, neutral density filters  years ago.
        and projection lens
   16   17   18   19   20   21   22   23   24   25   26