Page 8 - RD_2023-09
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A  simple  illustrated  hand  book  was
        needed to explain how to shoot a movie
        story – and create a series of shots that
        could be edited to do just that. This task
        was given to Arthur Gaskill and David
        Englander who created a brilliant little
        book called Pictorial Continuity – How
        to shoot a movie story - it worked.  For
        decades  after  the  war  this  little  pocket
        book  was  updated  and  re-published  in
        edition after edition. It was the budding
        filmmakers Bible and it set me up for a
        lifetime  of  documentary  filmmaking.
        My first edition was the most treasured
        book in my library -- until I loaned it to
        one of my students --.

        Meanwhile  back  in  the  front  line,
        Hollywood feature producer and director
        John Ford had arrived at Midway Island
        in  the  central  Pacific,  armed  with  a
        16mm  camera  and  6,000  Ft.  of
        Kodachrome film and one assistant. He  This  is  my  third  edition  copy  of  Pictorial
        was right on cue to film the first stage of Continuity with its post war title How to Shoot a
        the Japanese attack and decided to film Movie  Story    but  sadly  without  its  wartime
        the  whole  Battle  of  Midway  himself. history -- the intro. I treasured so much in the
        John Ford produced the first American first edition.
        classic  documentary  of  the  war.  One
        Man with a camera -- who knew how to tell a story even with a 16mm camera – a story
        that won an Academy award.

        From the massive amount of B&W film shot on little 16mm cameras for training and
        information purposes -- like the Gun Sight Aiming cameras used in fighter aircraft -- to
        the  millions  of  feet  of  film  screened  on  16mm  portable  projectors  to  inform  and
        entertain the troops all over the world. Yes, 16mm played a significant role across the
        entire spectrum of wartime activities.

        Getting back to Jamison Handy and his role in this. Of course his organization was
        ideally situated to produce a huge output of 16 and 35mm motion pictures and 35mm
        film strips and the little projectors he had invented years before.

        He could do it all “In House from Script to Screen” with his now huge staff of talented
        people working with the best equipment and studio facilities available. It was truly a
        gift for the American Government who quickly made use of Jam Handy’s services.
        They even offered to build a new studio complex for the organization, an offer declined

        8     REEL DEALS  September  2023
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