Page 9 - RD_2019-09

The Bolex H16 Reflex arrived in 1957, with the
new Prismatic system providing continuous
viewing through the taking lens. The greater
accuracy in framing and focusing was a boon for
cameramen. The system also made the Bolex
ideal for shooting titles and animation without
complex attachments. A prism fitted behind the
taking lens reflected 25% of the light
entering the camera up and across to where the old offset focusing screen was
located, and the new prismatic system has a much improved optical viewing tube.
At the same time high quality zoom lenses became available with
their own built-in reflex viewing system, so you had the
option of in-camera viewing or using the lens attachment.

I shot many Documentaries using the Reflex Bolex and a 12
to 120 mm Angenieux Zoom lens - a great combination.
A slightly modified RX lens mount was required for the
H16 Reflex. And Joys of Joys - a large flat base plate was
added with 3 tripod socket holes (an option to provide
better balance when using long lenses), eliminating for
all time “The toppling over camera syndrome"
associated with the Standard Model.

I always appreciated the unique auto
threading system on the Bolex,
especially when bouncing around in a
light aircraft or speedboat.
The film was trimmed by
the film cutter as shown,
then fed on to the top
sprocket with the
camera running and the
loop guides in the
closed position.

A moment later the film
pops out ready to be
attached to the take-up
spool. Pressing the
centre lever button
returns the loop guides
to the open position, and
you’re all threaded up
ready to go.
June 2020 REEL DEALS 9