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The front view of the H16
                                                             shows the "D” shaped turret
                                                             and the excellent Octameter
                                                              viewfinder attached to the
                                                                film compartment door.


         The finish on this 75mm lens
         reflects the superb quality of
         Kern- Paillard products. An
         unusual pattern of orange dots
         expands or contracts to
         indicate depth of field.
         The frame counter has two
         scales 1 to 100 in single frames,
         and 1 to 1000 in 50  frame
         increments.









         A new feature on the '54 model was a behind the lens filter
         holder. A kit of 4 filter holders and a cutting template for
         gelatin filters was supplied with each camera.

        The camera body of course reflected the same  numerous TV networks operating throughout
        outstanding quality as the lenses and I felt that  the world. So, I wrote to most of these offering
        my now very depleted bank balance could be  to  supply  TV  news  film  coverage  of
        justified.                          preparations for the ’56 Games and items of
                                            interest  about  Melbourne  and  the  Games.
        The  Bolex  H16  was  an  essential  piece  of  There was total confusion about the TV rights
        equipment  for  my  new  business  venture  -  to film the actual staging of the Games and this
        Solar Film & Photographic Productions. The  was not resolved until just prior to the Games,
        main aim of the venture was to provide a film  much to the distress of the world’s media.
        and  photographic  coverage  of  the  building
        preparations for the 1956 Olympic Games to  But that’s another story. All I wanted was to
        be  held  in  Melbourne.  By  arrangement,  the  cover  the  preparations  and  I  expected  the
        film  and  photographic  coverage  would  be  Bolex  would  soon  be  running  hot,  together
        available, for a fee, to the Olympic building  with  its  stable  mates,  my  pre-war  Rolleiflex
        contractors as a record of their work and for  with its uncoated 3.5 Tessar that could produce
        the future promotion of their businesses. As a  a needle sharp mural the size of a barn - a small
        Photojournalist I had already been successful  barn; the 5”x4” MPP Technical camera with
        in this industrial field and was confident the  its  Voigtlander  Apo  Lanthar  -  another  beaut
        idea would work, using the right approach.  lens; and the ubiquitous Praktica with 3 rather
                                            less  spectacular  lenses.  I  was  ready  to  go  -
        Television had not yet started in Australia but  Lights,  Darkroom,  Camera.  The  only  thing
        was  due  to  commence  with  the  Olympic  missing was the “Action”.
        Games in 1956. However there were already

                                                     June  2020  REEL DEALS  7
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