Page 5 - pm_1953-12
P. 5

Can  You  Identify ?


               (A I~"amily Film with a  Diliet•enee)
                                                           '.,
                               by  II'.  H.  Coombes
         Now  that  the  darker  evenings  are   wards  camera,  etc.),  the  second  part
       approaching,  our  thoughts  will  be   is  composed  of about  20-30 frames
       turning  towards  the  projector,  and   of the  "Special  Feature", followed  by
       the  showing  of  the  films  we  have   the  person  revealing  his/ her  identity.
       taken  this  summer.  What films  have
       you  shot?                            All  the  first  parts  are  now  spliced
                                           together and  wound  on  one  reel; then
         No  doubt  the  majority  are  family   the  same  is  done  with  the  second
       or  holiday  records,  which  will  go   parts,  in  the  same  sequence.
       through  the  projector at every family
       gathering  or  party,  but  what  about   The  idea  of  the  20-30 frames  of
       making  a  film  that  all  can  join  in  ?
                                           the  "Special  Feature"  is  to  give  the
                                           audience  a  clue  to  the  person's
         The  theme  of  the  film  is  a  kind  of   identity.
       parlour game, which  at the same time
       will  give  the  camera-man  plenty  of
       scope  for  practice  work.           We  are  now  all  set for  our  parlour
                                           game,  so  the  audience  is  given  a
                                           pencil  and  paper and  asked  to identi-
         The  film  can  be  of  the  personal,
       local,  or  general  type.   ·      fy  each  member  of  the  family  from
                                           the  clue  (Special  Feature)  shown.
         Taking  the  personal  type  first :  the
       camera-man  makes  a  list  of  relations   After  Reel  I  has  been  shown,  the
       and  near  friends,  and  beside  each   party  can check  their answers  as  Reel
       name  he  makes  a  note  of any  special   2  is  projected.  It  is  surprising  how
       physical  feature,  such  as :-"Jim"-  little  we  really  notice  of  our  own
       big  feet,  "Gwen"-"urchin  cut"  hair   family  features.
       style,  etc.  He  then  sets  about  film-
       ing  these  features  at  his  leisure.   The  "Local"  film  can  follow  a  sim-
                                           ilar  trend,  but  this  will  include  well-
         As  an  example :-A  pair  of  big   known  buildings,  streets,  shops,  and
       feet  are  shown  approaching  the   other  familiar  daily  scenes,  but  most
       camera,  one  shoe  lace  is  undone,   of  these  will  be  shot  from  unusual
       when "Jim" is  close  to the camera,  he   angles,  and  Reel  2  will  show  them  as
       stops,  stoops down  to tie  up  the lace,   they  are  normally  seen.
       thus  revealing  his  identity.   When
       the  other  shots  have  all  been  taken,   The  "General"  film  offers  unlimited
       each  one  is  cut  as  an  individual   scope,  ranging  from  a  half-penny
       sequence.                           stamp  to  an  express train.  A  film  of
                                           this  type  keeps  our  friends  on  their
         These  shots  are  then  cut  again,  so   toes  all  the  time,  and  it  gives  the
       that the first  part  is  composed  of the   camera-man  plenty  of  scope  to  ex-
       special  feature  (big  feet  walking  to-  periment.




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