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NFSA, AFTRS             the back office functions of a number  Minister George Brandis, Labor's Mark
                                of Canberra-based collection agencies
                                                        Dreyfus  and  Greens  Leader  Senator
        budgets trimmed         including the NFSA, National Gallery of  Milne.
                                Australia, National Library of Australia  The letter is signed by more than 120
        [Thu 15/05/2014 12:20 AM]  and  Old  Parliament  House  will  affect  industry figures .
                                the Archive.
        By Don Groves                                   The letter claims a proposal to reduce
                                In April, NFSA CEO Michael Loebenstein
        The  National  Film  and  Sound  Archive  announced  a  restructuring  entailing  staff by more than 10% will lead to the
        and the Australian Film Television and  shedding jobs and reducing its touring  sacking  of  some  of  the  NFSA’s  most
        Radio  School  have  not  escaped  program and the number of events at  experienced managers, administrators
        unscathed  from  the  federal  Budget  its Arc cinema in Canberra, blamed on  and  industry-trained  professionals.
        cuts.                   increased perating costs as the archive  That's despite assurances from the CEO
                                                        that there would be no forced lay-offs
        Meanwhile, the lack of transparency in  continues  to  convert  its  library  to  as the workforce is reduced from 206
        a pending restructure of the NFSA has  digital.  to 178.
        been criticised by producers, directors,  AFTRS is taking a small cut in funding. It
        writers,   actors,   academics   and  got  $24.4  million  in  the  current  The signatories demand the immediate
        journalists.            financial year. That falls by $94,000 to  public release of the Loebenstein NFSA
                                                        business  review  and  that  the  NFSA
        The NFSA received $27.07 million from  $24.3 million in 2014-2015. Allocations  convene an open forum to enable a full
        the government in the current financial  for  the  following  years  are  $24.15  public  discussion  of  these  matters
        year. That falls to $25.9 million for each  million,  $24.03  million  and  $24.25  before final decisions on terminations,
        of  the  next  two  fiscal  years.  The  million.  sackings  and  personnel  restructures
        allocations  beyond  that  are  $25.74  The  allegedly  secret  process  of  the  come into effect.
        million and $26.01 million.  NFSA restructure has been called into
                                                        From IF Magazine (abridged)
        It  is  not  clear  how  the  government’s  question  by  Geoff  Gardner,  a  former
        announcement that $2.4 million will be  director  of  the  Melbourne  Film  Available on line at www.if.com.au
        saved over four years by consolidating  Festival, in an open letter to NFSA chair
                                Gabrielle  Trainor,  copied  to  Arts
        Email Exchange
        To David Donaldson from Mike Trickett
        Hi David,

        I  was told recently that following the demise of KINO magazine and the ACTS group in Sydney,
        that all of their photo collection was donated to the National Film and Sound Archive (NFSA).
        What chance do you think those photos have of being catalogued and preserved, and what chance
        is there that they will be available (at a reasonable cost) for historical societies (like CATHS) for
        use as illustrations in articles.
        Regards Mike

        Yes, Mike, this is the point that I think is most worth arguing at the present time.
        Unlike other Canberra museums and galleries, whom NFSA people seem to want to get up to
        an elite par with, the NFSA has purchased virtually nothing of the many tens of thousands of
        items they hold. Everything was donated by the public, whether industry or lay people with the
        aficionados in the mid of that spectrum.
        That is why people want to see, expect to see, and have a right to see Australian films at the
        Arc Cinema and around Australia.

        While those intended but unspecific consultations are under way is a time to make the point as
        from those Kino photos — that people want to see what has been donated, not to pay
        exorbitantly for NFSA overhead. It would be reasonable to pay towards the direct curatorial
        and preservation work, yes.
        Best –David       (You can quote me).

         Reel Deals                                         - 33 -                                         June 2014
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