Page 7 - pg_1955_08
P. 7

m endations  are  that  contrasty   The  aim,  of  course,  is  to
       subjects  should  be  avoided  and   achieve  perfect balance through-
       t h e  lighting  should  be  fiat- that   out  the  film  and  the  best  way
       is,  the  sun  should  be  behind  the   is  to  do  some  mental  editing
       camera and  definition will  be the   before  shooting.  Quite  often  a
       c I ear e r.   Personal  experience   change  of  angle  will  serve  to
       shows  that  picturesque  render-  bridge  an  awkward  gap  especi-
       ings  are  obtainable  by  using   ally  if  it shows   e~yier shadows
       partial  side  lighting;  even  with   than  in  the  prec  ding  shot.  A
       flat  lighting  the  provision  of  a   sequence  being  filmed  over  a
       reflector  such  as  a  white  sheet   period  of  days  may  produce
       will  lighten  the  features  of  a   variations  in  colour  by  the  fact
       close-up.                    that  the  atmospheric  conditions
         Some  amateurs will  prefer the   (not the light) altered during the
       colour in  a  film  to be richer than   period- i.e.,  the  first  day  bright
       normal  which  has  the  effect  of   sunlight  followed  on  the  second.
       causing  all  colours  to  be  more   day  by  a  fine  haze.   These
       vivid,  with  greater  general  con-  variations  may  even  take  place
       trast  and  will  therefore shoot  in   during  one  single  day.  Though
       bright sunlight.  Personal  prefer-  the  actinic  quality  is  the  same,
       ence  is  to  acquire  pastel  shades   a  slightly  differen,t  atmospheric
       by  slight  over-exposure  (half  a   quality may occur.  The  obvious
       stop)  which  results  in  a  thinner   answer  here is  to film  the scenes
       image  which  can  produce  some   in sequence.
       striking  effects  and  appear  on   Finally,  it  is  a  good  plan  to
       the  screen  something  after  the   include  all  shots  comprising  a
       style  of  a  water colour  painting.   sequence  in  one  loading  of  col-
       If,  however,  you film  on  a  bright   our  film.   If  these  are  spread'
       day  with  the  sun  obscured  by   over more than one loading they
       light  clouds  you  will  find  that   are  not  always  likely  to  be  pro-
       the  relative  intensities  of bright-  cessed  in  one  batch,  and,  al-
       ness  and  shadow  approximate   though  slight,  any  difference
       much  more  closely  by  reason  of   arising  from  this  are  bound  to
       the  fact  that  the  light  is  more   be  noticeable  on  the  screen.
       evenly  distributed  over  the  sub-
       ject  and  the  contrast range  con-  ERRATUM
       siderably reduced.
         The  fact  that  Kodachrome  is   QUR  apologies  to  Mr.  Derek
       balanced  to  give  good  results   Hill  for  the  slip-up  which
       between 9  a.m. and 4 p.m.  during   occurred  in  the  printing  of  his
       the  summer does  not  mean  that   article  in  the  June/July issue of
       satisfactory  pictures  cannot  be   the  Gazette.   Unfortunately,  an
       obtained  outside  these  hours-  explanatory paragraph was omit-
       in point of fact some of the most   ted   from   his   report   which
       beautiful  movies  can  be  taken   separated  the  I.A.C.  winnerS>
       in  early  morning  and  late  after-  from  A.C.W.'s  Ten  Best.
       noon.  The  highlights,  however,
       w ill  have a  tendency towards the
       orange/red  end  of  the  spectrum   9.5mm.  FILMS  WANTED
       w hile  the  shadows  will  be  dis-
       tinctly  blue,  and  care  must  be   "METROPOLIS"   and   "The
       taken  to  avoid  assembling  such   Cabinet  of  Dr.  Caligari"
       shots between those taken during   in  good  condition.- J.  KILMISTER•
       mid-day  otherwise  the  colour   7,  Lancashire  St.,  Melton  Rd.,
       balance  will  be  at  stake.   Leicester.
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